Daniel Clarkson Fisher is an essay filmmaker and writer whose work has appeared in outlets that include AlterNet, Bright Lights Film Journal, Nonfics, the Journal of Religion & Film, Religion Dispatches, Tricycle: The Buddhist Review, Patheos, Lion’s Roar, and Buddhadharma: The Practitioner’s Quarterly. He has also commented on news stories and other topics for CNN, the Religion News Service, E! Entertainment Television, and Fandor Keyframe.
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I’ve got a new article, my first for Bright Lights Film Journal, at their website. It is entitled “The Problem of Access: Weiner (2016) and the Limitations of the Fly-on-the-Wall Documentary”. In it, I observe that “the response to Weiner shows us (yet again) that the greater the access to a subject, the more likely a documentary is to be lavishly praised…no matter how questionable its politics.”
You can read the whole thing here.
I’ve got an interview with Thom Powers over at Nonfics. Thom, who has been called a “kingmaker for documentaries” by the New York Times, is host of the podcast Pure Nonfiction, documentary programmer for the Toronto International Film Festival (TIFF), Artistic Director of both the Stranger Than Fiction screening series and the documentary film festival DOC NYC, co-founder of both the Cinema Eye Honors and the Garrett Scott Documentary Development Grant, curator of documentaries for Sundance Now, and the host of WNYC’s “Documentary of the Week” program.
Check out our conversation here.
I’m delighted to have been a contributor to Fandor Keyframe’s “Best Video Essays of 2016” poll. In addition, it’s an honour to have my picks in such fine and esteemed company. Thank you to Fandor and its founding editor and chief video essayist Kevin B. Lee!
You can read the whole thing here.
A Thousand Hands: A Guidebook to Caring for Your Buddhist Community is a new anthology from Sumeru Books that I’ve co-edited with Nathan Jishin Michon — and it’s available to buy now!
You can purchase it through Sumeru here, or via your preferred online vendor.
Here are blurbs for the book, written by three wonderful Buddhist teachers:
“The voices contributing to this volume demonstrate that North American Buddhism is awakening from its predominantly inward and private focus and realizing that our strength for the future lies in healthy, whole, and peaceful communities. Yet the forms of suffering that manifest in communities boggle the imagination in their diversity. The essays collected here show that the necessary concern has been aroused and the helping hands of compassion are reaching out, each hand, like that of the bodhisattva Guan Yin, emblazoned with the eye of intelligence that looks into the underlying causes and the prospects for a solution.” – Ven. Bhikkhu Bodhi
“A Thousand Hands provides a remarkably broad set of resources aimed at helping people navigate suffering with greater clarity and ease. The editors have done a wonderful job gathering together many wise voices to share on a host of important topics.” – Sharon Salzberg, author of Lovingkindness and Real Happiness
“Buddhist communities struggle with the reality that we bring the world with us—that walking into the doors of the sangha does not instantly liberate us from our mental illness, addictions, trauma, and emotional woundedness. Even more jarring is confronting the truth that our sanghas are organized to privilege the mental, physical, and financial elite. The Buddha taught a Dharma for all ages, and at its heart is the call for radical loving integrated with truth. This book helps us to hold love and truth together as we move into the profound, beautiful, and very uncomfortable space of meeting people where they are and asking: How can I care for you?” – Lama Rod Owens, co-author of Radical Dharma: Talking Race, Love, and Liberation
I’ve got a new article, entitled “The Teacher Racket”, in the Winter 2016 issue of Tricycle: The Buddhist Review. You can read a few paragraphs (or the whole thing if you’re a subscriber) here. If it’s not on your newsstands now, it should be soon if you want to read it in print and in full.