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I’ve got a new article, my first for PopMatters, at their website. The title is “In Defense of Errol Morris’s Standard Operating Procedure. In it, I use the occasion of the film’s tenth anniversary to write about the great director’s oft-misunderstood masterpiece, which centers around the photos that emerged from Abu Ghraib prison.

You can read the whole thing here.

[UPDATE, 5/22/2018: I’m completely amazed to report that Errol Morris himself recently retweeted this piece. See below.]

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Two of my wonderful classmates, John Verhaeven and Kenny McDonald, are producing a new podcast called “Doc This!” Its goal is to “get behind the minds and processes of Ryerson University’s MFA Documentary Media students.” I co-host with another wonderful classmate, Sara Wylie.

In the first episode, Sara and I speak to yet another wonderful classmate, Daniel Schrempf — I hope you’ll give it a listen!

(Bonus: A fifth wonderful classmate, Pearson Ripley, offers a terrific, sixty-second review of Errol Morris’s astonishing Netflix documentary series Wormwood at the end of the episode.)

I’ve got a new article, my first for the venerable New Politics magazine, at their website. The title is “The ‘Inescapable Need and Possibility’ of Third Cinema”. In it, I talk about the radical, global filmmaking movement known as “Third Cinema”; its adherents in the United States; and what might be learned from their work at this particular moment in time. If you’re actively thinking about film as a form of cultural resistance, you might just be interested in this.

You can read the whole thing here.

As a contributor to Nonfics, I participated in their year-end poll. The results are in, and you can check them out right here.

Individual ballots aren’t included, and I won’t share mine. However, I will say that documentary fans should make it a point to see Karl Marx City, The Work, and Starless Dreams. The 2017 docs that you’ve heard about are very fine indeed, but it was this year’s comparatively less ballyhooed titles that really stayed with me.